Not a highlight reel and not a promise about where you will be in a year. This is the work itself — what gets made, where it goes, and who touches it — so you can judge the thing you are actually buying.
Placements every month, from twelve to fifteen pieces of work reformatted for each platform your market actually uses. Plus unlimited stories, four hours of real engagement, and a team of four on the account.








Most agencies put your logo on their homepage the week you sign, and it stays there long after you leave. We do not publish a client name, a screenshot or a result without written permission from that client, every time.
On a call we will open real accounts and walk you through them — the work itself, month by month, including the months that were harder than others. You get to judge the actual output rather than a curated grid of the six best posts from four years of work.
Not a highlight reel. The whole feed, in order, so you can see what a fifth year of this looks like rather than a first month.
Where practical, one in a comparable market with a comparable starting point, so the comparison is honest.
What we tried, what fell flat, and what we changed. Anyone who tells you every month was a win is selling you something.
In five years of running these, almost nothing has damaged an account the way a gap does. A quiet stretch undoes more than a weak month ever has, because a visitor reads silence as a business in trouble.
A busy quarter. A client who stopped sending footage. An editor who left. A holiday nobody planned around. None of these are dramatic, and all of them end with a feed whose most recent post is four months old.
The delivery model was built around this specific failure before it was ever sold. A month of content is produced before the month begins, and the team is structured so no single person leaving stops the output.